breathingspells:

This book is a weapon. It is a gun to be put into the hands of all of us who wish to oppose these atrocities, and a manual on how to use it. It is a knife to cut the ropes that bind us to our ways of perceiving and being in the world. It is a match to light a fuse.

-Derrick Jensen, The Culture of Make Believe

lomo-girl:

“We were not meant for this. We were meant to live and love and play and work and even hate more simply and directly. It is only through outrageous violence that we come to see this absurdity as normal, or to not see it at all. Each new child has his eyes torn out so he will not see, his ears removed so he will not hear, his tongue ripped out so he will not speak, his mind juiced so he will not think, and his nerves scraped so he will not feel. Then he is released into a world broken in two: others, like himself, and those to be used. He will never realize that he still has all of his senses, if only he will use them. If you mention to him that he still has ears, he will not hear you. If he hears, he will not think. Perhaps most dangerously of all, if he thinks he will not feel.” 
― Derrick JensenThe Culture of Make Believe

Because most scripts are written by and for men, they project a world in which men rule, and in which men play most of the roles. Television and movies project the power structure of our society, and by projecting it, perpetuate it, make it seem moral, make it seem the only thing to do, to talk about, to think about. Once viewers have become habituated to a certain type of story, they experience great consternation if you try to change it. Let’s say you try to countercast, or change the typical casting in a typical story. A woman, now, is going to wield power. She is going to use violence. Suddenly, you can’t tell any story other than the one that describes why this is so. The story has to revolve around why a woman is doing things that seem scandalous for her, yet seem normal for a man. By telling a story that is different from what the audience has come to expect, you disturb public sensibilities….

[Television is] representative of the power structure. Not the culture. This means those in power are overrepresented, they’re more likely to be successful, and they’re more likely to inflict violence than to suffer it….

Television is an agency of the power structure by which those in power represent their fantasies. By doing so they contribute to those fantasies becoming real, becoming a part of the consciousness of each of us.

In culture, it’s the supply that determines the demand, never the other way around.

George Gerbner quoted in The Culture of Make Believe (2002) by Derrick Jensen, pp. 127-8 (via feminismistheshit)
“Several times I have commented that hatred felt long and deeply enough no longer feels like hatred, but more like tradition, economics, religion, what have you. It is when those traditions are challenged, when the entitlement is threatened, when the masks of religion, economics, and so on are pulled away that hate transforms from its more seemingly sophisticated, ‘normal,’ chronic state — where those exploited are looked down upon, or despised — to a more acute and obvious manifestation. Hate becomes more perceptible when it is no longer normalized. Another way to say all of this is that if the rhetoric of superiority works to maintain the entitlement, hatred and direct physical force remain underground. But when that rhetoric begins to fail, force and hatred waits in the wings, ready to explode.”
Derrick Jensen in The Culture of Make Believe (2002), pp. 106–7
“One of the fables we live by is that some day the killing will stop. If only we rid ourselves of Chinese, white men will have jobs and white women will have virtue, and then we can stop killing. If only we rid ourselves of Indians, we will fulfill our Manifest Destiny, and then we can stop killing. If only we rid ourselves of Canaanites, we will live in the Promised Land, and then we can stop killing. If only we rid ourselves of Jews, we can build and maintain a Thousand Year Reich, and then we can stop killing. If only we stop the Soviet Union, we can stop the killing (remember the Peace Dividend that never materialized?). If only we can take out the worldwide terrorist network of Bin Laden and others like him. If only. But the killing never stops. Always a new enemy to be hated is found.”
Derrick Jensen in The Culture of Make Believe

(Source: uncle-iroh)

“I have heard people suggest that because humans are natural that everything humans do or create is natural. Chainsaws are natural. Nuclear bombs are natural. Our economics is natural. Sex slavery is natural. Asphalt is natural. Cars are natural. Polluted water is natural. A devastated world is natural. A devasted phyche is natural. Unbridled exploitation is natural. Pure objectification is natural. This is, of course, nonsense. We are embedded in the natural world. We evolved as social creatures in this natural world. We require clean water to drink, or we die. We require clean air to breathe, or we die. We require food, or we die. We require love, affection, social contact in order to become our full selves. It is part of our evolutionary legacy as social creatures. Anything that helps us to understand all of this is natural: Any ritual, artifact, process, action is natural, to the degree that it reinforces our understanding of our embeddedness in the natural world, and any ritual, artifact, process, action is unnatural, to the degree that it does not.”
Derrick Jensen
“We were not meant for this. We were meant to live and love and play and work and even hate more simply and directly. It is only through outrageous violence that we come to see this absurdity as normal, or to not see it at all. Each new child has his eyes torn out so he will not see, his ears removed so he will not hear, his tongue ripped out so he will not speak, his mind juiced so he will not think, and his nerves scraped so he will not feel. Then he is released into a world broken in two: others, like himself, and those to be used. He will never realize that he still has all of his senses, if only he will use them. If you mention to him that he still has ears, he will not hear you. If he hears, he will not think. Perhaps most dangerously of all, if he thinks he will not feel. And so on, again.”
Derrick Jensen

To reverse the effects of civilization would destroy the dreams of a lot of people. There’s no way around it. We can talk all we want about sustainability, but there’s a sense in which it doesn’t matter that these people’s dreams are based on, embedded in, intertwined with, and formed by an inherently destructive economic and social system. Their dreams are still their dreams. What right do I — or does anyone else — have to destroy them.

At the same time, what right do they have to destroy the world?

Derrick Jensen